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Acrobat on a Ball, 1905
The rose
period, which lasted from 1904 to 1906, took its name from the ochre and pale pink that
dominate these canvases - and also from the feelings of tenderness and fragility that
emanate from the figures. They are often acrobats or harlequins, artists on the
fringe whose gestures speak of vulnerability, grace and humility.
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An athlete whose large muscled back is turned to us is seated on a cube.
He watches a young woman standing on a ball. Her arms are raised in a charming
gesture, and her arched body suggests a precarious equilibrium. On one side is
strength, stability, mastery; on the other, lightness, agility, grace. The forms of
the cube and the sphere, continue this opposition.
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